A while back it was my pleasure to give a favorable review to Wandering
Star's sumptuous edition of Robert E. Howard's The Savage Tales of
Solomon Kane and now I am delighted to announce that they have brought
out another Robert E. Howard collection.
This one, The Ultimate Triumph (Wandering Star, London, England;
hardcover; 316 pp.; trade edition $50; limited edition of 1,500 slip-cased
with previously unpublished color plates $80; ultra deluxe limited leather
edition including additional color plate $425), concentrates on writings
by Howard which are most specifically and directly associated with the
notion of barbarism, a theme that profoundly obsessed the author throughout
his creative life. It is -- highly appropriately -- illustrated by the
illustrator more associated with that theme, and with turning Howard's
violently imaginative notions into visible images, than any other artist,
living or dead -- Frank Frazetta -- and, as if that were not enough,
there is also a very touching and informative foreword by Mr. Frazetta.
The collection appropriately lunges into action with the original Conan
adventure Beyond the Black River; continues with the first printing
ever of the original manuscript of The House of Arabus which
has not been "improved" by other hands; Spears of Clontarf,
The Night of the Wolf, Spear and Fang; The Valley of
the Worm; and Lord of Samarcand.
There is a small anthology of his barbaric poems, an excellent Introduction
by Rusty Burke, a marvelous collection of Howard's letters to Howard
Phillips Lovecraft on the topic of Barbarism vs. Civilization, a detailed
chronology of Howard and two concluding essays: Waiting for the Barbarians
by Patrice Louinet and Frazetta, and Robert E. Howard; The Power
of Passion by Dr. David Winiewicz.
As you see, there are several editions. The black and white has numerous
drawings by Frazetta, including many heretofore unpublished, and is
marvelous, but if you have the money and admire these two unique creators
I would very much recommend that you spring for one of the color-plate
editions as they really are spectacular and do complete the effect of
joining Howard's vision with Frazetta's as has never been done before.
Gahan Wilson
This review is copyright © 2000 Spectrum Magazine and
Gahan Wilson
All sketches and artwork are copyright © Frank Frazetta.
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